Delighted to have my writing appearing on other sites every now and then, the most recent examples being in the online B.C. newspaper The Tyee and as a guest blogger on the web site Naked Truth run by self-described "anarchist stripper mom" Annie Temple.
Hope you'll check them out! The piece I wrote for The Tyee grew out of some conversations I had this week about my own experiences with the people who these days reveal themselves as nasty internet trolls, like the kind who have shouted down actor Leslie Jones with the worst racist, misogynist, super-ugly stuff.
And the piece at Naked Truth builds on an earlier blog post I did about the deliberate campaign to silence adult sex workers by building a myth of trafficking and exploitation around them.
As you'll see in my piece - and I've included all my sources at the bottom of the piece to encourage readers to see a little more clearly - trafficking is being manipulated into a far bigger issue than it actually is. This is not being done as a means to draw scant public attention to an important issue, but rather as a political campaign against adult, consenting sex workers that's high on emotion and really low on fact.
I'm a communications strategist and writer with a journalism background, a drifter's spirit, and a growing sense of alarm at where this world is going. I am happiest when writing pieces that identify, contextualize and background societal problems big and small in hopes of helping us at least slow our deepening crises.
Friday, July 22, 2016
Wednesday, July 06, 2016
When good words go bad: The usurping of trafficking as a weapon against sex workers
Were I a cartoon character, I expect I'd have big red flags and maybe some small explosions coming out of my head these days after reading the Ontario government's news release this week about its big new anti-trafficking initiative.
I'm all for ending trafficking, of course. But the issue is increasingly emerging as some kind of stealth instrument for attacking people working in the sex industry, so I've learned to read every announcement of new anti-trafficking measures in a state of acute hyper-vigilance for what's really being said.
The Ontario news release offers some worthy examples of what I'm talking about. Scroll down to the "Quick Facts" in the release and you'll see this one:
"In many cases of trafficking for the purposes of sexual exploitation, trafficked persons may develop 'trauma bonds' with their traffickers, and may not view themselves as victims. As such, human trafficking is believed to be a vastly underreported crime."
I'm all for ending trafficking, of course. But the issue is increasingly emerging as some kind of stealth instrument for attacking people working in the sex industry, so I've learned to read every announcement of new anti-trafficking measures in a state of acute hyper-vigilance for what's really being said.
The Ontario news release offers some worthy examples of what I'm talking about. Scroll down to the "Quick Facts" in the release and you'll see this one:
"In many cases of trafficking for the purposes of sexual exploitation, trafficked persons may develop 'trauma bonds' with their traffickers, and may not view themselves as victims. As such, human trafficking is believed to be a vastly underreported crime."
Once upon a time, I would have read a paragraph like that and thought, yeah, that has the ring of truth. But having seen repeatedly just how expertly the movement that hates the existence of sex work uses the hot-button trafficking issue to whip up political support against the adult sex industry, I read it with a whole other set of eyes now.
Let's consider "trauma bonds," for instance. That's a phrase coined 20 years ago by U.S. author Patrick Carnes to describe people who stay in exploitive relationships even when it's hurting them. It's roughly comparable as a term to Stockholm Syndrome, named for a 1973 bank robbery in Sweden in which several kidnapped bank employees grew emotionally attached to their kidnappers and even rejected help at one point so the kidnappers wouldn't get hurt.
And yeah, those kinds of things exist. But when you're a jumpy sex-workers' rights type looking for where the next surprise assault is going to come from, you read a paragraph like that and see it as a weapon, the perfect tool for silencing sex workers still in the industry who might have something positive - or at least neutral - to say about their profession. It lays the groundwork to dismiss anything that a sex worker says in defence of the industry or his or her role in it as nothing more than the tragic thinking of someone too bonded to their captors to know how traumatized they are.
It also lets trafficking be as big a problem as it needs to be for political purposes with no proof required, because we've established that it's "vastly underreported" and thus can't be judged on the seriously skimpy statistics that actually exist. It justifies vast sums and airy-fairy action plans for an issue that in Canada, represents 0.0004 per cent of the crimes reported annually in the country. (Sources here and here, but I did the math.)
Add this to the fact that trafficking is already a crime in which authorities have the right to deem that you are trafficked even if you disagree, and you can see where this could go - especially in the hands of those who believe their right to loathe that sex work exists trumps the rights of sex workers to safer workplaces and basic rights.
I browsed a lot of sites yesterday looking for hard facts about trafficking in Canada and the U.S., and came away unsettled by just how little facts there are in any of the discussions. Hyperbole and high emotion are the rule anytime that trafficking gets mentioned. When you get this many police initiatives, community groups, NGOs and government departments dependent on sustaining the trafficking narrative in order to keep the funding coming, the public conversation gets pretty dramatic, stats or not.
I finally found some real numbers in the U.S. State Department's 2015 report on trafficking, which is way clearer about the figures on trafficking in Canada than anything I ever found among our own government's materials. As of 2015, there have been 85 convictions for trafficking-related crimes in the history of Canada, and one conviction - later overturned - under the Immigration Refugee and Protection Act. (Update as of July 7: Simon Fraser University Professor and researcher Tamara O'Doherty notes that the majority of those convictions have not used Canada's trafficking laws, but rather the sex-work laws. The old "living off the avails" charge is now being publicly presented as being about trafficking.)
I'm a supporter of genuine initiatives that prevent and stop trafficking. Nobody should be exploited, abused, coerced or taken advantage of. If Canada is truly a "Tier 1" country when it comes to trafficking, let's address that. (Though I struggle to see how you could establish that with the scarce statistics that currently exist.)
But the word is being twisted. It's being stretched far beyond its boundaries to include people who are in no way trafficked, and hammered down tight over sex workers who dare to talk about rights rather than rescue. It has become a morality-based weapon to shut down any public conversation on sex worker rights by setting up workers as traumatized victims too messed up by their "captors" to be worth hearing from.
Do I sound paranoid? Well, maybe you would be too if you'd seen for yourself just how fast and loose with the facts the anti-sexwork movement is, and how effective they are at convincing decision-makers to do the stupidest, most harmful things in the name of "ending demand" in the sex industry. It's a goal that no country in the world has ever achieved in the history of humanity, and it flies in the face of considerable research establishing decriminalization as the best approach for keeping sex workers safer. But hey, who needs research when you can have rhetoric?
This movement's moral judgment guides public policy around sex work in Canada and the U.S., increasing the risk of workplace violence for tens of thousands of Canadians. It denies them agency. The right to association, and normal interactions with police. Respect. A life without fear of exposure or arrest. Access to the basic tools of civil society such as small-claims court, employment tribunals, and human rights processes.
This movement's moral judgment guides public policy around sex work in Canada and the U.S., increasing the risk of workplace violence for tens of thousands of Canadians. It denies them agency. The right to association, and normal interactions with police. Respect. A life without fear of exposure or arrest. Access to the basic tools of civil society such as small-claims court, employment tribunals, and human rights processes.
So yeah, down with trafficking. But please understand that much of what passes for a discussion on trafficking these days is actually a calculated, highly emotional and very well-funded campaign that aims to make it publicly palatable to silence the voices of anyone in the sex industry who won't play victim.
Further reading:
Tuesday, June 07, 2016
Should I forget who I am, please give me the music to remind me
If you haven’t already seen the 2014
documentary “Alive Inside,” fire up Netflix tonight and watch it. And as soon as it’s done and you’ve
mopped up what might very well be a small bucket of sad-happy tears at all the
lives changed by something so small, you just might want to get started on your
own music playlist.
The documentary is about a quest to give
people back their music, most especially those living with dementia in U.S.
care homes.
The film opens with a scene of a
near-comatose, non-verbal old man being outfitted with a headset and iPod
loaded with all his favourite music, and his instant transformation into a
wide-eyed, smiling guy singing along and recalling a dozen stories from his
youth. (Maybe you were one of the 2 million people who viewed the clip on YouTube?)
Anyway, it’s an amazing scene, but there
are many more equally powerful ones in the full documentary. I felt like
evangelizing after I saw the film. I wanted to start calling up care homes in
Canada to ask if anyone was doing something similar, and how I could help. Anyone
who ran into me in the days that followed had to put up with me exhorting them
to see the film.
And then I got thinking about what songs
some good-hearted person might put on my own personal playlist should the day
come when I can no longer remember who I am. That kind of freaked me out.
I
mean, what if the nice people looking after me presumed that because I was a
teenager in the ‘60s and ‘70s, that’s the only kind of music I want to hear? I’m sure grooving to The Night Chicago Died or Sylvia's Mother would bring a smile to my face, but being stuck until I died in the memories of
my early teenhood would be its own kind of nightmare.
If the goal is to evoke the memories of a
lifetime, who but me really knows what those songs are? I’m practically like
the guy in the movie “High Fidelity,” with a different signature song for each
profound memory. But it’s not like I share much of that with people as a general rule. (“Hey,
honey, did I ever tell you that even 45 years on, hearing Me and Mrs. Jones makes me feel nostalgic for the boy who first broke my heart?”)
Were I to be heading into the dark night of
dementia, I’m pretty sure I’ll want all the memories I can get my hands on.
Which means I’d best get my list together.
I doubt that even my kids would think to
include Blue Rodeo’s Rose-Coloured Glasses, which would deny me a magical day in my late 20s when my three young kids and I were
singing that song at the top of our lungs after a day on Denman Island, and I
suddenly felt free for the first time in my life. No one would know to put on
Bob Seger’s version of the Tom Waits
song Blind Love, which would mean I’d
never go back again to those three weeks in 2013 when the bar in the scary
little Moskitia town I was staying in mixed that song in with its many narco-corridos, and I felt less lonely.
Just When I Needed You Most – my son’s first heartbreak, and an important memory for me because
I realized for the first time that my own heart would be breaking right along
with my children’s as life brought its cruel lessons. Murder In The City – the song that made us laugh through our anxiety as we headed into our big Honduras adventure. One Hand In My Pocket – me and a vanload of Grade 7 girls coming back from my daughter’s field trip,
stereo cranked so loud that we proudly earned a look of disapproval from a
fellow motorist at a red light.
Bizarre Love Triangle, the stripped-down Frente! version that made me cry and cry in my early days with Paul because I thought he’d put
it on a mixed tape he made for me as a hint about how he felt about our
relationship (when in fact, he’d just recorded a whole Unplugged album that it
happened to be on). Teddy Thompson’s I Don’t Want to Say Goodbye, because it conjures a misty morning kayaking in Saanich Inlet when I was
listening to it on my headphones as geese took flight, and I paddled through
the breathlessly still waters thinking that if I were making a movie of that
moment, that song would be perfect for the soundtrack. Daft Punk’s Get Lucky, because my grandsons (and Paul) still love retelling the story of me hearing that song on a road trip to Idaho and mishearing the chorus as, “Grew up on Mexican hockey.”
At any rate, you get the picture. My
personal playlist is deeply personal, and in all likelihood will span all the
decades of my life. So yeah, please do throw some Beatles in there, but don’t
forget Sweet Cherry Wine or Which Way You Going, Billy? Don’t forget ACDC, because nothing puts me back on the road with the 2001 Tour
de Rock quicker than the distinctive opening of Thunderstruck. Don’t forget Barbie Girl, because I know I'm going to want to think back on the sweetly astounding sight of my very serious and quiet five-year-old grandson
dancing like he was possessed when he first heard that song.
May the gods trigger someone who loves me
to go carefully through whatever musical catalogue I’m keeping at the point that I start to lose myself, and find a way to give it all to me.
Even better, they could throw in some new songs that will be the background for whatever memories I’m
laying down during those intense final months or years. Nothing would make me
happier than to be listening to some cool new tune when the end finally comes,
and thinking to myself, “Wow, what a perfect song to remember the moment I
died.”
Now go watch “Alive Inside.” And may your
greatest-life-hits list be as fun to remember as mine has been.
Thursday, May 05, 2016
Taking it to the max: The life of a serial obsessionist
I’ve always been mad for the rush of falling
head-first into new things. It’s a habit that made my love life a bit
challenging for many years, but I’m much better at channeling that intensity
into more constructive pursuits now that I’m older.
Whatever it is that I’m falling into, it’s
got all my attention.
If it's romance, you're going to feel profoundly treasured, at least for a little while (and much longer if you're Paul). If it’s a work project, I’m going to be your dream
employee, because I will think non-stop about that project from a million
different angles to get it as right as possible.
If it’s a recreational
pursuit, just accept that I'm going to be beating on a duct-tape-covered tire in the basement for a couple of years (my
taiko phase). Or bringing home yet another finch for the enormous and cacophonous bird enclosure
in the living room window (caged-bird phase, although damn, the baby quails
were cute). Or returning from the paint store with armloads of discounted spray paints in strange colours and textures (reviving-tired-furniture phase).
My choices haven’t always been healthy, but
they’ve definitely been diverse. Body-building; “mixed-tape” CDs for every
occasion and everyone I knew; photo videos for every family member’s birthday;
a rather odd period when I built and decorated giant picture
frames and hung the unusual creations all over the house. When an obsession’s
got me, you'll know it.
The really big obsessions drive my career
choices and my romantic relationships. The lesser ones guide how I use my free
time. Most last four to five years. Some are shorter but no less intense, like
when I got obsessed by the sheer wrongness and stupidity of the leaky-condo
scandal and could barely talk about anything else for a year and a half.
The intensity dies down eventually for me,
but no obsession goes away completely. It just assumes a less high-profile
position in the hierarchy of my interests.
I still enjoy bird-watching, for instance,
but no longer feel compelled to note every single cheep and who might be making
it, or to keep a stack of eight or nine bird identification books always within
arm’s reach.
I still care passionately about issues
around sex work, but I no longer pin unsuspecting people to the wall at social
gatherings with heated rants about why they should give a shit (well, not as
often, anyway). I can drive down a Vancouver residential street now without
checking every apartment for signs of moisture ingress.
Working in journalism and communications all
these years has been a perfect career fit for my obsessiveness. The work is
fundamentally a series of short-term projects that really suit an immersion
approach. I was very happy at the Times Colonist for 15 years because there was
no shortage of new civic or social issues waiting for me to obsess over them.
My spare-time obsessions have been more variable.
My current one, which is still very much in its early heady days, is learning
how to accompany myself as I sing and play the accordion.
I’ve been through several versions of this obsession
– let’s call it “Jody Experiences Music.” Performing music and singing have
been life staples since long before my pre-teen cousins and I first picked up
brooms to "strum" in the Saskatoon PMQs where they were living and pretended to be The
Beatles. But every new manifestation is a rush.
Just on the music front alone, I’ve been a
piano teacher; singer in a band; choir accompanist; taiko performer; house-party
pianist; seniors’ home entertainer; amateur opera singer (that was a particularly weird one).
I spent two summers not too long ago testing out busking in Victoria, but gave
it up after I realized passers-by assumed me to be a sad and desperate homeless
woman left to eke out a living with my accordion.
I’ve secretly dreamed for decades of a gig
playing music to an inattentive crowd in some sleepy beachside bar somewhere in
Mexico, and suspect that my current accordion/singing obsession is related to
that. Last week I also caught myself wondering about joining a choir again when
we’re back in B.C., or starting a strange little band dedicated to playing
surprising covers in surprising ways.
Like I say, there are dark sides to my obsessions.
Just ask Times Colonist editor Dave Obee about my Andrew Yam period, which he
had no choice but to endure for one long year back when I was a columnist and
shared a tiny office with him. Or talk to my kids about the time when they were
teenagers and I would snatch whatever food or drink they were about to consume
out of their hands and ask them if they had any idea how many carbohydrates were
in it.
But mostly I’ve loved this life of serial obsessions.
It drives me to learn all kinds of things I wouldn’t have thought to learn. It pushes
me out of my comfort zone to have new experiences that I wouldn’t have thought
to have. It helps me shed that which has lost meaning, making room for something new.
There can be a blah period in between the
end of one obsession and the start of another. I don’t like it, but it’s
necessary. You need a little breathing time between the fading light of the
last obsession and the dazzling brilliance of the next one. (Every new beginning is some other beginning’s end.) Plus the whole point of obsession is
that it’s a surprise, which means you never see it coming.
But then it’s there, so sweet with its
promise of discovery and newness, luring me up to play the accordion in the overheated
second bedroom when I ought to be working, rekindling my hopes for a late-life
career as a Mexican lounge singer. And just like that, I’m in love again.
Wednesday, April 20, 2016
Still not sure whether climate change is real? Come to Nicaragua
Without irrigation, small farmers in dry regions like Terrabona, Nicaragua wouldn't have had any crops in the last 3 years. |
It's been during these last four-plus years living and working here in Central America that I've gone from being passingly interested in the concept of climate change as a potential future threat, to being fully engaged and very alarmed by the impact that it's having right now in countries like this one, especially for farming families with few resources.
A Cuso International delegation from Canada is in the
country right now touring projects that Cuso supports through its volunteer placements. I went out on a field trip with some of the
Canadian visitors this week to show them a project that my organization
FEMUPROCAN has in the north with women’s farming cooperatives around Terrabona,
Matagalpa.
The region is in the fourth year of a
devastating drought. In all of 2015, rain fell just twice. Not a drop has
fallen yet this year. Desperate local farmers are counting down the days until
mid-May, which is when the rainy season always used to start, and praying that this year it
finally does.
The trip into the village of Los Mangitos on Monday was almost apocalyptic in its dryness: Shades of brown in all directions,
leafless trees, dust layered on everything. Here and there, groups of skinny
cows and horses clustered around tiny bits of greenery that were the last remnants of anything edible in the arid landscape.
The project we were visiting is a simple
irrigation system installed three years ago with the financial and technical
help of FEMUPROCAN, a federation of 73 women’s farming cooperatives in
Nicaragua. (I do communications work for them as a Cuso cooperante.) The system pumps water from an underground aquifer to irrigate
a 1.5-hectare plot owned by Ricarda Mairena and her family, transforming barren
land into cool, green fields of tomatoes, corn and the pale, long-necked squash
the Nicaraguans call pipian.
The aquifer is still producing, but the water level has fallen dramatically after 3 years of drought. |
And for three years, things have gone
pretty well. Irrigation lets the family farm year-round rather than only during
the brief three months of “winter,” the wet season. That has substantially
boosted their food security and income, especially given that there hasn’t even
been a real wet season since 2012. The commercial produce buyers that Nicaraguans know as intermediarios now pass through the village
regularly, picking up produce from Ricarda to sell at the public market in
Managua.
But one more year without a wet season
would be disastrous, says the family. They’re scared by how low the water level
is in their well these days, and scared by the absence of pasture for their 5
cows. The animals are getting by on corn husks and spent tomato plants these
days, at least until the sorghum is ready to be harvested.
The 24 families that live around Ricarda’s
farm are at least still getting drinking water from the municipality, once
every day and a half. In a neighbouring village, no one has had water in their
households for five months. The nearest community well is a kilometre away.
A fellow Cuso volunteer in the north told
me last week of families in one village outside of Esteli that are having to
get by on deliveries of five litres of water every five days. Water for
drinking, animal care, cleaning, bathing, cooking – all of it has to come out
of those precious five litres.
Nicaragua counts on small farmers to
produce much of its food. But many women farmers associated with my
organization aren’t even sure whether to plant anymore, as investing in seed or
agreeing to rent farm land for what ultimately ends up being a failed crop can sink a
family. Farming is a low-margin undertaking at the best of times, and a bit
like tying a rock to your ankle and jumping into the sea in these years when the traditional rainy season can’t be counted on.
Producer Ricarda Mairena grows sorghum as a "living barrier"at the edges of her gardens, both to reduce pest invasions and produce feed for her 5 cows. |
In the municipality of Terrabona where
Ricarda has her farm, locals believe that there are vast quantities of underground
water waiting to be tapped into. FEMUPROCAN’s financial support for the bricks,
mortar, pumps and large quantity of tubing and hoses that are essential to even the
simplest irrigation system has been warmly received by women farmers because of that belief, and so
far the wells that do exist are still producing. Ricarda’s
family is in the process of digging a second one.
But even aquifers need to catch a break
sometimes. The proliferation of heavily irrigated commercial tobacco-growing
enterprises in the area make me wonder if anyone has studied how much
underground water is actually available. Elsewhere in the country, treasured waterfalls
in protected areas are drying up due to unregulated upstream water use and the
lack of rain.
An acquaintance from back in Canada
commented to me a couple weeks ago that he still wasn’t sure “whether to
believe all this climate-change stuff.” Any doubters, come on down. It’s real
and scary in lands like this one, with so much more at stake than nice green
lawns.
Thanks for supporting our work in Central America with a donation to Cuso International. Here's our fundraising site.
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